"This is my first time," the girl says. She is lying,
naked, on her back, across a red oriental-style footstool, fingering herself to
an orgasm that never comes.
Neena looks at her blankly, as one's eyes might fall on an
empty white ceramic cup, the heavy, utilitarian type you’d find in a diner. She
is thinking of something else. Neena has heard the girl give this same speech
before, maybe five hundred times before.
"My
father brought me here," the girl continues, "on my sixteenth
birthday."
Her head and shoulders hang off one end of the stool, her
long bare legs off the other. Her legs are bent at the knees, her feet arched,
only the tips of her tiny toes pressing the polished teakwood floor.
Her middle finger is buried deep inside her clipped black
bush, moving slowly, in and out, in and out, as if she is hardly paying
attention, or may lose interest at any moment.
Her skin is very white, as if dusted with talcum, or
confectioner’s sugar, and the bones of her hips rise from an inviting pelvis
that looks like a small animal designed by a primitive hunter as re-imagined by
a postmodern artist.
Someone,
somewhere, is methodically photographing her. You can hear the dry click and
whirr like the descent of a plague of locusts.
"He
was not my real father," the girl claims.
Her voice carries absolutely no emotion. She pauses a
half-beat, for emphasis, but it all seems to be an afterthought. She’s not
listening either, nor does she care.
"He bought
me on a street in Bangkok. It was after a war."
Neena
sighs, or rather acts as if she were sighing, and lays a frozen white lily to
her cheek. She thinks, for some reason, of miles and miles and miles of empty
green ocean and no horizon and the sound a tape recorder makes when playing
back hours of nothing.
She thinks, Oh god, how meaningless, how completely and
horribly unnecessary this all is….
The
girl continues telling her life story, as she tells it every day.
Over and over again.
"He sold
me for an indeterminate sum. I was pregnant."
The tears on her face are not real.
"I am to be ravaged," she says, quite
matter-of-factly, "over a period of several days by two rats, lightly
sedated, and surgically planted inside me. One will be white and the other will
be black. They are clones, and yes, I know, I don't understand how that can
possibly be either.”
She pauses a moment, and continues.
“It seems a little bit too derivative of Orwell’s 1984 to
me. Do you think they tell me
these things only to frighten me?"
Neena
isn’t listening. Instead she is looking passed the girl, passed the wall, over
the ocean, passed the horizon that is not there. She is listening to the tape
playing nothing. She answers the girl but she feels like she is answering no
one (you’re getting warmer Neena, dear) and the breath that whispers across her
lips feels like the mechanically chilled air issued from an air conditioner.
"Yes,”
says, "and no."
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